What’s New in the Grills Gallery

Montpelier Staff

The Joe and Marge Grills Gallery is now showcasing a series a of historical images, objects, and artwork depicting the Montpelier estate. The exhibit is comprised of works from the early nineteenth to late twentieth centuries, and includes Anna Maria Brodeau Thornton’s 1802 watercolor, View of Montpelier.

Heart and Soul of Professional Growth

Montpelier Staff

Mr. Marion Broglie, a long-time participant in the Center for the Constitution’s seminars for teachers, recently took a few moments to share his thoughts on his professional development experiences. Mr. Broglie is an eighth grade civics teacher at Lynnhaven Middle School in Virginia Beach, Va.

Draping the Dining Room

Montpelier Staff

The Madisons’ preference for stylish furnishings, as seen throughout the interior spaces of Montpelier, is further exhibited in a new installation in the Dining Room. On Friday, November 18, 2011, with assistance from historic textile consultant Natalie Larson, reproduction window treatments, including salmon colored silk drapery with green lining, sheer dimity under-curtains, and  cornices decorated in the neoclassical style of John and Hugh Finlay’s Baltimore painted furniture, were installed in the Montpelier Dining Room.

Montpelier Fuels Global Conversations

Montpelier Staff

Movements of people toward greater self-governance sometimes struggle to gain lasting hold, but there is a determination in the human spirit that drives these movements toward freedom.  And it often takes multiple attempts at revision to eventually get it right.

Excavations in the South Yard–A Thanksgiving Feature!

Montpelier Staff

http://www.montpelier.org/blog/parting-shot-south-yardAs we approach Thanksgiving, we thought it would be fun to share with you an appropriate find for this time of year when “sumptuous” feasts are on everyone’s mind.  As mentioned in a previous post, we are completing our excavations in the South Yard where we just recently located a linear trench that is 2.5 feet wide and runs for at least 12 feet.

A shocking new installation at Montpelier

Montpelier Staff

Visitors to Montpelier during James Madison’s retirement vividly described the Drawing Room as museum-like and full of curiosities. Among these curious items was an “electrical machine,” likely intended as a party novelty to convey scientific principles and encourage socializing. Considered cutting-edge technology in the late eighteenth and early nineteenth centuries, electrical machines, also referred to as a “philosophical instruments,” were used to demonstrate emerging theories of electricity.

Rolling out the red Brussels carpet

Montpelier Staff

The first of several carpet installations at Montpelier was laid on Friday, October 28. The Dining Room floorboards are once more covered with the installation of a Brussels weave carpet. In the nineteenth century, elegant carpets conveyed status, provided warmth during cool weather, protected floorboards, and enhanced the overall appearance of a room by thematically linking furnishings.

How tall was Madison, really?

Montpelier Staff

If you saw Richard Brookhiser’s recent appearance on “The Daily Show,” you might have been surprised to hear him say that James Madison was 5′6″. The height of America’s fourth president is a recurring topic of interest to visitors and readers. So, how tall was Mr. Madison? 

“a concise Geographical Grammar”

Montpelier Staff

James Madison, like many of his peers, was a man dedicated to knowledge of geography and history.  In an August 1822 letter to William Taylor Barry, Madison wrote: “A knowledge of the Globe & its various inhabitants, however slight, might moreover create a taste for Books of Travels and Voyages, out of which might grow a general taste for history, an inexhaustible fund of entertainment & instruction.” 

Draping the Drawing Room

Montpelier Staff

This fall, visitors to Montpelier will witness another significant change to the Madisons’ Drawing Room. The curatorial team, with the expertise of historic textile consultant Natalie Larson, have identified and crafted historically appropriate red curtains—just as Dolley wished.

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