Archaeological Study of Montpelier's Enslaved Community
From 2010-2013, archaeologists at Montpelier uncovered evidence at three different sites of homes for the enslaved community at Montpelier. These homes were abandoned in the 1840s when the Dolley Madison sold Montpelier (including the enslaved individuals that made up this community) with the former homes either being razed or allowed to decay in place, Since that time, these sites have been undisturbed, leaving a veritable treasure trove of evidence for appearance of the homes for various members of the enslaved community. This four-year study allowed us to recover enough evidence for the appearance to reconstruct what the homes of the enslaved domestics, skilled artisans, and field slaves. A key part of this research project has been our public programs where participants can spend a week working with our archaeological staff.
Archaeological excavations of these homes revealed these structures to have wooden floors, brick or stone chimneys, glazed windows, and to be framed structures. As such, these structures were a far cry from the crude log cabins that most slaves (and for that matter most folks in the American South) lived in. These homes created a neat village type appearance that was meant to be seen from the mansion--and as they were within the formal grounds of the Madison's home, meant to be seen. Rather than presenting a better quality of life, residents of these homes would be under the constant scrutiny of the main house, had raised wooden floors that would left in drafts, and not have large amounts of yard space for their daily activities. In addition, activities in this yard space (such as the smoke houses and barbecue trench) were directed more towards the conveniences of the Madisons rather than the families living in this space. The contrast to these homes can be seen in the neighboring structure lived in by Granny Millie. Today the South Yard is "ghosted" with timber-frame outlines to show the size and location of the homes and buildings that were once here. For more information on this site, see the end of season blog.
Stable Yard--Granny Millie's Home
In contrast, the neighboring structure, the quarter located in the adjacent Stable Yard, was a more tradition log dwelling with a stick and mud chimney, at-grade hearth and evidence for clay floors. This structure was outside of the formal grounds of the mansion and located within the stable yard and craft complex—an area between the mansion formal grounds and the larger farm complex. Its construction using materials requiring little refinement (hewn logs and clay) was more typical of enslaved homes across the Piedmont (Finch 1833). This structure also had a sub-floor pit that would have allowed the residents to store sweet potatoes through the winter--no such storage pits were located in the homes in the South Yard. Today the Stable Quarter is represented by a log "ghost" structure and serves as a comparison to those builings in the South Yard. For more information on this site, see our blog.
Field Quarter Homes
The field quarter is located in the fields down the hill from the visitor center parking lot. Archaeological surveys and excavations revealed this area to contain the remains of the Madison-era farm complex—consisting of several slave quarters, barns, work areas, and an overseer’s house. During the 2012-2013 season, archaeologist located and excavated the remains of three homes for enslaved field workers. Based on the finds from these digs, these homes were log structures with clay floors, stick and mud chimneys, and very basic furnishings. In contrast to the stable quarter, there were no brick hearths nor evidence for glazed windows—these were basic structures where the enslaved families’ ingenuity and community connections provided means for shelter. In fact the only archaeological evidence for the structural locations came from the presence of sub-floor pits where families stored root crops. Our near terms plans for interpreting these homes consist of interpretive signs. What is exciting about this work and living complex is that it represents where the majority of the enslaved community lived and is very accessible from the visitor center (walking distance from visitors’ cars is closer to this area than to the mansion).
To see a video produced by the National Endowment for the Humanities on our project, click here.
1880s photograph of a freedman's home outside of Richmond (courtesy of Valentine Museum). This structure is similar in appearance to the Stable Quarter (Granny Millie's home).