The Montpelier Foundation President and Chief Executive Officer Michael C. Quinn today announced his resignation to become president and chief executive officer of the American Revolution Center in Philadelphia.
In 1791, James Madison became friends with an unlikely companion, Italian sculptor Guiseppe Ceracchi (1751-1801) who moved to the new American capitol to carve a commemorative monument of the American Revolution. Madison, then a congressman from Virginia’s fifth district, lodged with Ceracchi at Mary House’s boardinghouse on the corner of Fifth and Market Streets.
When Paul Jennings created his memoirs, he probably never imagined he would have an audience of millions. This is exactly what happened on last night’s episode of “The Daily Show with Jon Stewart,” though.
The archaeology department recently finished its field season in the South Yard and just began an analysis of all the artifacts recovered during the nine-month excavation season. The analysis of the household items recovered from the South Yard will be very important for our overall archaeological study of Montpelier’s enslaved community.
Christmas day has come and gone at Montpelier and like Christmas, New Year’s Day gave the Madisons and their contemporaries an opportunity to send holiday greetings to family and friends along with wishes for a prosperous and healthy year to come.
During the eighteenth and early nineteenth centuries, Christmas was primarily celebrated through fellowship, festive entertainment, visits to neighbors and family, and holiday tidings sent to friends and loved ones. While there is no evidence to suggest that holiday decorations were placed in the interior or the exterior of Montpelier during the Madisons’ time, James and Dolley had other Christmas traditions.
This week we are putting the South Yard to bed for the winter after a long and productive season. We opened up an area 85′x45′ (approximately 180 5ft. x 5ft. units) and completely exposed two house areas in the South Yard. The South Yard is the site for the homes and work areas for the Madisons’ house slaves.
‘Tis the season for holiday traditions: decorating, baking, caroling and shopping are underway across the country. As we prepare for ”A Christmas Evening at Montpelier,” we’re also decking the halls with modern and Madison-era works of art to show our guests.
The Joe and Marge Grills Gallery is now showcasing a series a of historical images, objects, and artwork depicting the Montpelier estate. The exhibit is comprised of works from the early nineteenth to late twentieth centuries, and includes Anna Maria Brodeau Thornton’s 1802 watercolor, View of Montpelier.